Guiltless Editing - Really!

Guiltless Editing

1. For every manuscript create a separate "TIDBIT" file.

2. While writing or editing, instead of deleting text, simply move what needs to go to your TIDBIT file for later use.

It's a useful mind trick.
When you aren't afraid to "lose" anything, you can dump the junk.
This gets you closer to your final draft and a publication date!

If You're a First-Time Author - Don't Do This!

The 3 Most Common Mistakes
First-Time Authors Make without Even Realizing It

www.ImPublished.com

1. Not Connecting With a Large Audience

Although there is something inherently romantic about obscurity, there must be an element in your book that connects with at least half of humanity for it to be successful. I’m not kidding. Take The Da Vinci Code, for example. This book was about an incredibly obscure sect within the Roman Catholic Church. Yet, the Da Vinci Code has sold over 60 million copies.

Its success wasn’t due to its award winning writing. This book became wildly popular because it hit a universal nerve. Its story appealed to every person on the face of the earth who has ever questioned religious doctrine. Although hitting this universal nerve made it commercial fiction, the book was just as compelling as it was thought provoking.

Dan Brown would have made a huge mistake when looking for an agent if he positioned his book to appeal only to the group about whom he was actually writing about. Which is to say that the potential audience of your book is wider than just your subject. When you unearth your book’s universal elements… especially those that hit an universal nerve, you’ve got a potential bestseller.

If in doubt, think of it this way. The larger your audience, the larger your book advance. Even if your book is about something obscure, you must position its appeal as universal in your submission.



2. An Expectation That the Publishing Industry Owe Us Something

Literary agents and publishers ask a lot of us. They want us to do the work up front without even the promise of a penny. They expect an idea that is fully cooked, in a book that is already written, edited and ready to roll. On top of that, they want a well thought out typo-free book proposal and/or query letter. These days, it may feel like you have to attach a Hollywood star to your book to get signed by an agent. (Which, by the way, isn’t a half bad idea.)

Well, that’s just what I call “The Deal,” even if it seems like a raw one. Agents expect your best work up front and on spec because it’s the only way they can judge the quality of your work.

Say you’re developing some prime real estate property. Would you hire a contractor to build your house just because he had some great ideas? I hope not. Most likely, you’d want to see an example of his finished work before you signed a contract. Perhaps, you also want a list of references.

The same goes for literary agents and writers. An agent or publishers needs to see your finished product before they sign you. Simply to see what you can build. Once you have a successful track record, the rules change. Then if you play your cards right, you won’t write on spec anymore.



3. Hiding Your Book’s Bestelling Concept

Many writers have the goods but they hide their own mega blockbuster idea. They inadvertently down play it down under too much confusing background information. Or they don’t express it in a succinct to the point engaging way.

When a proposal is foggy, it’s hard for an agent to see what is in front of him. Although literary agents and editors may enjoy collecting old books, they aren’t archeologists. They don’t excavate your query letter or book proposal looking for treasure. If your bestselling concept doesn’t pop out and bite them on the nose, the fate of your submission is doomed to join the Slush Pile.

It’s safe to assume that literary agents and editors have very poor vision. In fact, their vision is so bad that it’s your job to make them see the value of your work. You can’t count on an agent to just know that your book is a bestseller without at least a little illumination.

Humility may be a virtue but not when you’re selling your book. Don’t be humble about your saleable concept that connects with half of humanity. Don’t explain when you can entertain. Instead, take what I call the Newly Engaged approach. Turn the spotlight on your diamond. Only then can you expect a crowd of admirers.


*** The above was an excerpt from Donna Sozio's eCourse The Secret Rules of Publishing: What Every First-Time Author Needs to Know. All Rights Reserved.*** www.DonnaSozio.com/Publisher

The Secret Rules of Publishing

Hi! I'm Donna Sozio, and I'm a writer too. I've lived all over the world -- in the U.S., Saipan, Japan, the French Alps and Thailand. When I moved to L.A. I found that my creative juices flow the best in the California sun.

During my career, I've worked as a copywriter for Yahoo!, Sunset Magazine, and Lexus, and have written extensively on surf-skate-snow sports for such publications as Onboard, Snowboard UK, Wahine, and Surf Life for Women. I enjoyed that work, but only recently did I really find my voice. And it was only then that everything fell into place.

Two years ago my book, Never Trust a Man in Alligator Loafers, was just an idea in my mind. The seed of that idea woke me in the middle of the night. But I had to breathe life into that seed and nourish it, to take it from that dream stage to reality. Now I have a literary agent, a book deal with a major publisher, a publicist, a movie option, and a publication date with Citadel Press.

Bringing my book to fruition started when I created an action plan for myself. But before I could even do that, I had to dig deep and ask, did I have anything worth saying? Was I willing to do whatever it takes to say it? What would it take to get people to listen?

This is a great exercise. I'd recommend it even if you're not writing a book. It took me a lot of time and effort to finally understand that my creative voice, my schtick, is to use humor, parody, satire even cheek? --- to pay my rent on the planet. Through my combined works in media, publishing and fashion, I want to help people develop the inner muscle they need to believe that everything is possible. And then the courage to act on that dream. Because achievement is one percent inspiration and 99 percent perspiration.

Every word I share with you in my newest book, The Secret Rules of Publishing, has been successfully road-tested by me. In this step-by-step guide, I offer fresh information for writers, so that after you read it, you won't need to wander in the barren desert of unfulfilled dreams as I did! When I applied the principles outlined in this guide, I got an agent in three weeks and sold my book. With hard work and positive, dedicated focus, you can make it happen just as I did. And I'll show you how!

So get focused, Buy the Guide and Get Published! And remember, I'm on your side! See you on Book TV!

Love, Donna